Hver er að þræða villigötur auðnanna inní tún svefnrofa minna?

"Why obscene?" he asked, his voice rising suddenly in indignation. "Because drama must pay attention to the thing that is most extreme in human behaviour. In this film, a child has his eyes burned out. You don't write a film about winning when that can happen. The Greeks wouldn't have stood for it. It's a corruption of human reality – which we create in the imagination."